Flight - Black granite sculpture of man & woman refugees
27 June 2025
Description

This free-standing sculpture was carved directly in black granite by my father Richard Davis (richarddavissculptor,com) in 1941 during the depths of World War II. Some see them as Lot and his wife (Genesis 19:26), but it is he, not she, who is looking back over his shoulder. Their clothes are nondescript and timeless. Perhaps they represent all refugees fleeing from war, persecution, hunger, or poverty. It was shown at the American Sculpture Exhibition at the Carnegie Museum of Art in Pittsburg, PA in 1941 and subsequently at MOMA in New York and elsewhere.

Dimensions

36" x 20" x 20"

Acquired from
Inherited
For sale
Yes
Answered within 7 days
By David U.
Jul 04, 17:20 UTC
Fair Market Value
$18,000 - $25,000 USD
Insurance Value $0 USD
What does this mean?

Hello, this item is a monumental granite sculpture titled Flight, created in 1941 by American sculptor Richard Davis. Measuring approximately 36 x 20 x 20 inches and carved directly in black granite, the work portrays a seated couple—man and woman—in a moment of intimate tension and protection, their postures conveying both weariness and resolve. While the figures are rendered in a simplified, near-archaic style with modest, nondescript clothing, the emotional resonance is powerful. The man glances backward over his shoulder in a gesture that can evoke either fear, reflection, or mourning, while the woman is closely drawn to him in solidarity and vulnerability.

Carved at the height of World War II, Flight was clearly intended as a universal monument to refugees—those displaced by war, persecution, or systemic collapse. Its ambiguity invites timeless readings, including biblical allusion (Lot and his wife), but its power lies in the anonymity of its subjects. The sculpture was exhibited at the 1941 American Sculpture Exhibition at the Carnegie Museum of Art in Pittsburgh, and later at MoMA in New York—two of the most prestigious venues in American art. These exhibitions, combined with the rarity of such large-scale granite carvings and the emotionally charged theme, place this work among Davis’s most significant. Its estimated market value today, given institutional provenance, scale, and material, would range from $18,000 to $25,000 US.

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