Louis XVI Mantel Clock
13 February 2019
Description

My grandmother had this clock for longer than my parents can remember... Face of the clock says E Watson 6 King St Cheapside London. Very heavy and very ornate...maybe brass? It is decorated with bows, flowers, leaves and Cherubs fighting over a vase. The top on the has a vase that opens to hold the keys with a pineapple top. Clock is 12” wide by 15” tall Base seems to be made of plaster with a velvet top; base is 13.5” wide by 6.5” deep The base of the clock has written in penciled Louis XVI then some words that I cannot read (maybe in French)? I have been afraid to clean the clock as I do not want to damage anything. Any information would be so exciting - thank you

Provenance

My grandmother, her family came over from Lebanon in the early 1900’s, she has passed away but my father could not remember and details, but always remembered the clock in her home.

Acquired from
Inherited
For sale
Maybe
Answered within about 4 hours
By David
Feb 13, 03:48 UTC
Fair Market Value
$1,500 - $2,000 USD
Insurance Value $0 USD
What does this mean?

Hello Julia,
Thank you for sending your family clock to mearto for an appraisal. I will try to help you with determining the fair market value.
TITLE:
Art Nouveau, Dore bronze, double barrel spring, eight-day time and half hour striking, figural mantel clock in the Louis XVIth style, on a velvet covered gilt gesso wooden base, unsigned by the clockmaker, dial is marked for the retailer, ‘E Watson 6 King St Cheapside London’, a jeweler and fancy goods dealer in London during the Victorian era. The clock was made in France, for export to England on Special Order for E. Watson, 6 King street, Cheapside, London, made circa 1880-1890.
DESCRIPTION:
Case: The clock measures 15” x 12” and rests on a base that is 13.5” x 6.5”. The clock is surmounted by a covered hollow brass urn, the cap with a gilt acorn finial (not a pineapple). The thin pedestal of the urn is hidden behind ormolu bowed ribbon which flows around the top of the beaded brass glazed dial bezel. Dore bronze foliate forms, especially curled acanthus leaves flow down and almost form a mythological seagoing vessel with a prow and stern. Sitting inside this ship are two gold cherubs, one holding a Neo-classical jug of wine and the other reaching for it. The mythological ship takes on an architectural form with the forward projecting section covered with roses, foliage and French lance-leaf décor. The base of the case is supported by three Dore bronze toupee feet, the latter resting on the dark blue velvet surface of the lower platform.
The base platform ornamented with gesso and gilding may be wood or a synthetic substance, and takes the form of the lower part of the clock case, descending down to a golden concave molding with two rows of horizontal beading and resting on short gilt feet. The styling is typical or the Art Nouveau movement which stresses the beauty of nature, both flora and fauna and was in vogue from c. 1880-1910, both on the Continent and in the USA. . .
Dial: White enameled dial with Roman hours, open bar minutes ring, Brocot aperture at the twelve for altering the speed of the movement, faster and slower. There are steel Breguet style hands, and the upper dial is marked for the London retailer, E. Watson, King Street, Cheapside, London. (The Brocot aperture came into common usage by clockmakers in France circa 1850s and was invented by Achille Brocot c. 1841.)
The base is wood and the pencil writing say Louis XVI, two children with “something” perhaps wine jug or playing, just mentioning the theme. The Louis XVI should be written in the style of Louis XVI. . .
Movement: Round solid brass plate movement with the two brass plates pinned at the back plate. Above, one sees the Brocot pendulum suspension spring, patented by Achille Brocot in 1865. The pendulum rod and bob hang from the spring. The movement has an anchor escapement, steel cut pinions, steel arbors, brass gearing, two barrel springs of eight-day duration which strike the hour and half hours on the large silvered bell at the back. the lower portion of the back plate has engraved into the brass, E. Watson 6 King St Cheapside London. This French movement was signed for the retailer.
Condition: The overall condition of this piece is excellent with the expected signs of wear, e.g. the gilt gesso chipping on the base. But it is all genuine and original throughout, and the Dore bronze finish has taken on a nice patina. The execution of the case, the casting of the cherubs and the style remains very god and such clocks are still in vogue today. The dial has a chip at the four position. So, this is a late 19th century replica of a type of clock that was made a century earlier in the late 18th century during the reign of French King Louis XVI.
I have compared this French figural mantel clock with others like that have been sold at auction to arrive at a fair market price range of $1500-$2000. The more complex the scene, the higher the price will go if in very good or better condition. What impresses me most is the fact that no one has tried to enliven the finish or alter it in any significant manner. It is genuine and you should treasure this family heirloom. Retail prices can be 2-3 times the figure I have provided for you. Don’t restore any chips or change anything on this old French piece.
My best,
David

Julia turse Feb 13, 23:01 UTC

Thank you for all this information. I unscrewed the bell and the acorn and found markings (added photos). It seems the maker is E Watson 6 King St Cheapside London as that is engraved under the bell. Also an “E” with some scribble is also under the acorn. It works and when the dial is turned to the top of the hour the bell rings.
I will not clean or change a thing!
If we do decide to sell this piece what would be the best avenues to go through?
Again I appreciate your professionalism and assistance.
Julia

David Feb 14, 02:28 UTC

Dear Julia,
In this instance, I have no doubt the clock was made in France, both the case and the movement. It apparently was made on Special Order specifically for the E. Watson firm in London . The Watson firm were retailers and not manufacturers. We see this all the time with French clocks made for Tiffany & Co. The French made clocks for that NYC firm and only Tiffany would have their name on the clock case and movement. So, make no mistake, this is a wonderful French clock, it is just that the Watson Company wanted their clientele to think that perhaps it was made in London. It was not!. . .
And when you say the dial is turned to the top of the hour and rings, don't you mean that when you raise the hour hand to the top of the hour the clock strikes on the bell? This white dial should not rotate.
As far as cleaning the clock just dust it or gently wipe it down with a dry cloth.
As far as selling the clock, where you sell it depends on where you reside in the USA, and I do not have access to that information. Actually, it would sell for the highest price in England, so perhaps use an auction house where a main office is in England, such as Bonhams. Each region of the country has a few reliable well known auctions. I am a bit surprised that you would want to sell this clock. But if you wish just let me know where you reside and perhaps I could make a suggestion.
I live in the northeast. If I wanted to sell this clock I would use either Skinner auction in Boston, Sam Cottone Auction in Geneseo New York or R.O. Schmitt auction in southern New Hampshire.
At any rate the description of the clock has barely changed and the value of the clock remains the same.
My Best,
David

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