Ritual Brass Mask of Ancestral Reverence – West African (Likely Benin/Ife), Late 18th to Early 19th Century
19 May 2025
Description

This powerful brass mask, likely cast in the late 18th to early 19th century, stands as a haunting testament to West Africa's enduring artistry and spiritual depth, particularly the revered metal-casting traditions of the Benin Kingdom or Ife culture. Recovered unexpectedly during a scrap evacuation from a long-abandoned industrial warehouse, the mask’s reemergence feels less like a discovery and more like a resurrection. Its form commands attention—a sun-like headdress encircles the crown, each spoke radiating strength, ancestry, and cosmic connection. At the centre, an upright loop rises like a spiritual antenna, possibly symbolic of divine or royal status. The closed eyes suggest introspection or trance, while the open mouth with prominent, worn teeth may signify ancestral speech—perhaps a voice that once guided rituals, ceremonies, or the soul’s passage. The detailed neck lattice is regal in appearance, echoing the coral bead collars worn by Obas and spiritual intermediaries in historical court art. Crafted using the lost-wax casting method, the mask retains natural casting marks and a time-earned patina. Unlike modern reproductions, it hasn’t been cleaned or polished—its imperfections speak volumes. This untouched surface whispers stories of lineage, migration, ritual, and resilience. This piece is more than a sculptural object—it is a cultural survivor. It has likely witnessed ceremonies, spiritual dialogues, or royal commemorations. Its presence today bridges centuries of African artistic excellence and spiritual tradition. Key Attributions: 1. Traditional brass casting, West African origin.
 2. Late 18th to early 19th century, based on stylistic and material evidence.
 3. Associated with the Benin or Ife artistic lineage.
 4. Symbolic headdress, expressive facial features, and unaltered surface.
 5. Recovered from storage with no modern restoration—a raw, authentic artifact.
 6. Strong appeal to collectors, curators, and institutions seeking cultural continuity.


Dimensions

Height - 28.5cm Depth - 8cm Length - 18cm Weight - 0.803kg

Acquired from
Other
For sale
Yes
Answered within 2 days
By David U.
May 21, 18:35 UTC
Fair Market Value
$12,000 - $15,000 USD
Insurance Value $0 USD
What does this mean?

Hello,

This item is a ritual brass mask of West African origin, most likely associated with the Benin or Ife cultures of southern Nigeria, and attributed to the late 18th to early 19th century. Measuring 28.5 cm in height, 18 cm in length, and weighing approximately 0.803 kg, the mask exemplifies the sophisticated lost-wax casting techniques that flourished in the royal courts of the Edo and Yoruba peoples.

Historical and Cultural Context

This expressive mask likely functioned as an object of ancestral reverence, used in ceremonies or court rituals. The Benin and Ife kingdoms were centers of artistic innovation, especially known for their brass and bronze sculpture traditions dating back to the 13th century. While Ife favored naturalism, Benin art leaned into idealized royal representation—this piece’s stylized, introspective expression and ornate headdress point to both lineages.

The sunburst-style headdress and the open mouth—perhaps representing ancestral speech or invocation—reinforce the object’s spiritual dimension. The delicate chain-like neck lattice recalls the coral bead regalia worn by Obas and dignitaries, strengthening the connection to court ritual or elite lineage.

Notably, the unpolished surface, visible imperfections, and patina all support the attribution of age and pre-industrial craftsmanship, differentiating it from modern replicas typically produced for tourist or commercial markets.

Condition and Authenticity

The mask appears to retain its original surface without overcleaning or restoration. This is critical, as many genuine African brass objects lose significant academic and market value when polished or altered. The loop at the top, likely for suspension during rituals, remains intact. The casting technique, dimensional proportions, and symbolic detailing all support the attribution to a ceremonial—not decorative—function.

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